{"id":1027,"date":"2017-06-10T18:16:46","date_gmt":"2017-06-10T18:16:46","guid":{"rendered":"http:\/\/nbwrites.com\/test8216\/?page_id=1027"},"modified":"2024-02-13T07:36:48","modified_gmt":"2024-02-13T07:36:48","slug":"classroom-teaching","status":"publish","type":"page","link":"https:\/\/nbwrites.com\/?page_id=1027","title":{"rendered":"Classroom Teaching"},"content":{"rendered":"<p>[vc_row iron_row_type=&#8221;in_container&#8221; iron_remove_padding_medium=&#8221;&#8221; iron_remove_padding_small=&#8221;&#8221; iron_overlay_pattern=&#8221;&#8221; iron_parallax=&#8221;&#8221; iron_bg_video=&#8221;&#8221;][vc_column width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;.vc_custom_1707810693261{padding-right: 100px !important;}&#8221;]<\/p>\n<h2><strong>Introduction to Music History<\/strong><\/h2>\n<p>Instructor, Fall 2020 (MUS1120)<br \/>\nDouglas College, New Westminster, British Columbia, Canada<\/p>\n<h2><\/h2>\n<h2><\/h2>\n<h2><\/h2>\n<p><\/br><\/p>\n<h2><strong>20th-Century Music<\/strong><\/h2>\n<p>Instructor, Fall 2020 (MUS230)<br \/>\nDouglas College, New Westminster, British Columbia, Canada<\/p>\n<h2><\/h2>\n<p><\/br><\/p>\n<h2><strong>Continuing Opera Education Class: Touchstones of 20th-Century Opera<\/strong><\/h2>\n<p>Instructor, Fall 2019<br \/>\nThe Metropolitan Opera Guild, New York, NY<\/p>\n<h2><\/h2>\n<h2><\/h2>\n<h2><\/h2>\n<p><\/br><\/p>\n<h2><strong>Continuing Opera Education Class:\u00a0Librettists of the Season<\/strong><\/h2>\n<p>Instructor, Spring 2018<br \/>\nThe Metropolitan Opera Guild, New York, NY<\/p>\n<ul>\n<li><strong>Class Description: <span style=\"font-weight: 400;\">This course will explore the life and work of librettists represented on the Met Opera season, including Lorenzo Da Ponte, Salvatore Cammarano, Michael Carr\u00e9, Jules Barber, Luigi Illica, and Giuseppe Giacosa. In addition to discussions of biographical and historical contexts, classroom lectures, assigned readings,\u00a0and listening will focus on source materials behind operatic libretto texts, the art of text setting, the process of adaptation and interpretation of texts within operatic frameworks, and the relationship between composers and librettists at different points in opera history.<\/span><\/strong><\/li>\n<\/ul>\n<h2><\/h2>\n<h2><\/h2>\n<h2><\/h2>\n<p><\/br><\/p>\n<h2><strong>Masters Level Seminar:<br \/>\nSpecial Topics in Musicology &amp; Research Techniques,<br \/>\nMusic between 1900-1930<\/strong><\/h2>\n<p>Adjunct Lecturer, Spring 2015 Semester, MSH 750<br \/>\nLehman College, The City University of New York<br \/>\nBronx, NY 10468<\/p>\n<ul>\n<li style=\"padding-left: 30px;\"><strong>Class Description:\u00a0<\/strong>This course examined art music style, repertoire, compositional techniques, and\u00a0cultural trends at the beginning of the 20<span class=\"s1\">th <\/span>century, specifically focusing on the years between 1900 and 1930. As a\u00a0special topics course in musicology, the course was also designed to utilize the subject matter as a way of honing research, writing,\u00a0and presentation skills. I designed the syllabus and assignments and chose all texts covered in the class. I also built a website specifically to host resources for the class (including a digital copy of the syllabus and assignment guidelines), which can be accessed here:\u00a0<a href=\"http:\/\/specialtopicsmusicology.commons.gc.cuny.edu\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/specialtopicsmusicology.commons.gc.cuny.edu\/<\/a><\/li>\n<\/ul>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_widget_sidebar sidebar_id=&#8221;otw-sidebar-1&#8243;][\/vc_column][\/vc_row]<\/p>\n ","protected":false},"excerpt":{"rendered":"<p>[vc_row iron_row_type=&#8221;in_container&#8221; iron_remove_padding_medium=&#8221;&#8221; iron_remove_padding_small=&#8221;&#8221; iron_overlay_pattern=&#8221;&#8221; iron_parallax=&#8221;&#8221; iron_bg_video=&#8221;&#8221;][vc_column width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;.vc_custom_1707810693261{padding-right: 100px !important;}&#8221;] Introduction to Music History Instructor, Fall 2020 (MUS1120) Douglas College, New Westminster, British Columbia, Canada 20th-Century Music Instructor, Fall 2020 (MUS230) Douglas College, New Westminster, British Columbia, Canada Continuing Opera Education Class: Touchstones of 20th-Century Opera Instructor, Fall 2019 The Metropolitan Opera Guild, New York, NY Continuing Opera Education Class:\u00a0Librettists of the Season Instructor, Spring 2018 The Metropolitan Opera Guild, New York, NY Class Description: This course will explore [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/nbwrites.com\/index.php?rest_route=\/wp\/v2\/pages\/1027"}],"collection":[{"href":"https:\/\/nbwrites.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/nbwrites.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/nbwrites.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nbwrites.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1027"}],"version-history":[{"count":16,"href":"https:\/\/nbwrites.com\/index.php?rest_route=\/wp\/v2\/pages\/1027\/revisions"}],"predecessor-version":[{"id":1944,"href":"https:\/\/nbwrites.com\/index.php?rest_route=\/wp\/v2\/pages\/1027\/revisions\/1944"}],"wp:attachment":[{"href":"https:\/\/nbwrites.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1027"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}