{"id":1029,"date":"2017-06-10T18:26:27","date_gmt":"2017-06-10T18:26:27","guid":{"rendered":"http:\/\/nbwrites.com\/test8216\/?page_id=1029"},"modified":"2021-03-22T15:14:01","modified_gmt":"2021-03-22T15:14:01","slug":"opera-boot-camp","status":"publish","type":"page","link":"https:\/\/nbwrites.com\/?page_id=1029","title":{"rendered":"Opera Boot Camp"},"content":{"rendered":"<p>[vc_row iron_row_type=&#8221;in_container&#8221; iron_remove_padding_medium=&#8221;&#8221; iron_remove_padding_small=&#8221;&#8221; iron_overlay_pattern=&#8221;&#8221; iron_parallax=&#8221;&#8221; iron_bg_video=&#8221;&#8221;][vc_column][\/vc_column][\/vc_row][vc_row iron_row_type=&#8221;in_container&#8221; iron_remove_padding_medium=&#8221;&#8221; iron_remove_padding_small=&#8221;&#8221; iron_overlay_pattern=&#8221;&#8221; iron_parallax=&#8221;&#8221; iron_bg_video=&#8221;&#8221; css=&#8221;.vc_custom_1497195715349{padding-top: 40px !important;padding-right: 10px !important;}&#8221;][vc_column width=&#8221;2\/3&#8243;][vc_column_text 0=&#8221;&#8221;]<\/p>\n<h2><strong>Opera Boot Camp: Fairy Tales, Folklore, Magic, &amp; Enchantment<\/strong><\/h2>\n<p>The Metropolitan Opera Guild, New York, NY <em>(Live-streamed virtual course)<\/em><\/p>\n<ul>\n<li>Part I: The Musical Language of Magic and Enchantment (February 20, 2021)<\/li>\n<li>Part II: Dvo\u0159\u00e1k\u2018s <em>Rusalka<\/em> (February 20, 2021)<\/li>\n<li>Part III:\u00a0 Strauss\u2019s <em>Die Frau ohne Schatten<\/em> (February 27, 2021)<\/li>\n<li>Part IV:\u00a0 <em>Mozart\u2019s Die Zauberfl\u00f6te<\/em> (February 27, 2021)<\/li>\n<\/ul>\n<p><strong>\u00a0<\/strong><\/p>\n<h2><strong>Opera Boot Camp: Conductors and Conducting<\/strong><\/h2>\n<p>The Metropolitan Opera Guild, New York, NY<\/p>\n<ul>\n<li>Part I: Basic Terminology and the Evolution of Conducting, 1600-1850 (April 18th, 2020)<\/li>\n<li>Part II: The Evolution of Conducting, 1850 \u2013 Present\u00a0(April 18th, 2020)<\/li>\n<li>Part III: Legendary Conductors and their Influence\u00a0(April 24th, 2020)<\/li>\n<li>Part IV: Inside the Mind of a Conductor \u2013 and Interview and Workshop with Victoria Bond\u00a0(April 24th, 2020)<\/li>\n<\/ul>\n<p><strong>\u00a0<\/strong><\/p>\n<h2><strong>Opera Boot Camp: For the Love of Opera<\/strong><\/h2>\n<p>The Metropolitan Opera Guild, New York, NY<\/p>\n<ul>\n<li>Part I: Love at First Sight (Jan. 25th, 2020)<\/li>\n<li>Part II: Love Triangles and Forbidden Passion (Jan. 25th, 2020)<\/li>\n<li>Part III: Lovers Forsaken, Rejected, and Abandoned\u00a0(Feb. 1st, 2020)<\/li>\n<li>Part IV: Lovers Tested, Reunited, and Redeemed (Feb.1st, 2020)<\/li>\n<\/ul>\n<p><strong>\u00a0<\/strong><\/p>\n<h2><strong>Opera Boot Camp: Opera 101<\/strong><\/h2>\n<p>The Metropolitan Opera Guild, New York, NY<\/p>\n<ul>\n<li>Part I: Opera History Survey and Musical Terminology \u2014 Part 1 (Sept. 28th, 2019)<\/li>\n<li>Part II: Operatic Vocie Types \u2013 Sopranos and Mezzo-Sopranos (Sept. 28th, 2019)<\/li>\n<li>Part III: Opera History Survey and Musical Terminology \u2014 Part 2 (Oct. 5th, 2019)<\/li>\n<li>Part IV: Operatic Voice Types \u2013 Tenors, Baritones, and Basses (Oct. 5th, 2019)<\/li>\n<\/ul>\n<p><strong>\u00a0<\/strong><\/p>\n<h2><strong>Opera Boot Camp: Introduction to the Opera Chorus<\/strong><\/h2>\n<p>The Metropolitan Opera Guild, New York, NY<\/p>\n<ul>\n<li>Part I: The Chorus throughout Opera History \u2014 Part 1 (April 6th, 2019)<\/li>\n<li>Part II: Practice, Preparation, and Rehearsal \u2014 A Choral Workshop with Joseph Hudson (April 6th, 2019)<\/li>\n<li>Part III:The Chorus throughout Opera History \u2014 Part 2 (April 13th, 2019)<\/li>\n<li>Part IV: A Day in the Life of a Met Chorister (April 13th, 2019)<\/li>\n<\/ul>\n<p><strong>\u00a0<\/strong><\/p>\n<h2><strong>Opera Boot Camp: Femmes Fatales<\/strong><\/h2>\n<p>The Metropolitan Opera Guild, New York, NY<\/p>\n<ul>\n<li>Part I: The Femme Fatale across History (February 23rd, 2019)<\/li>\n<li>Part II: Carmen &amp; Dalila (February 23rd, 2019)<\/li>\n<li>Part III:\u00a0 M\u00e9lisande &amp; Le\u00efla (March 2nd, 2019)<\/li>\n<li>Part IV:\u00a0 \u00a0The Queen of the Night &amp; Marnie (March 2nd, 2019)<\/li>\n<\/ul>\n<p><strong>\u00a0<\/strong><\/p>\n<h2><strong>Opera Boot Camp: Introduction to French Opera<\/strong><\/h2>\n<p>The Metropolitan Opera Guild, New York, NY<\/p>\n<ul>\n<li>Part I: Donizetti and the Italian-French Bel Canto Connection (September 8th, 2018)<\/li>\n<li>Part II: George Bizet and his Posthumous Success (September 8th, 2018)<\/li>\n<li>Part III:\u00a0 Camille Saint-Sa\u00ebn and his Enduring Masterpiece (September 15th, 2018)<\/li>\n<li>Part IV:\u00a0 Debussy, Poulenc, and French Opera in the 20th Century (September 15th, 2018)<\/li>\n<\/ul>\n<p><strong>\u00a0<\/strong><\/p>\n<h2><strong>Opera Boot Camp: Introduction to the Orchestra<\/strong><\/h2>\n<p>The Metropolitan Opera Guild, New York, NY<\/p>\n<ul>\n<li>Part I: The String Section (March 17, 2018)<\/li>\n<li>Part II:\u00a0 Double Reeds and Woodwinds (March 17, 2018)<\/li>\n<li>Part III: The Brass Section (March 24, 2018)<\/li>\n<li>Part IV: Percussion and Keyboard Instruments (March 24, 2018)<\/li>\n<\/ul>\n<p><strong>\u00a0<\/strong><\/p>\n<h2><strong>Opera Boot Camp: Introduction to Operatic Voice Types<\/strong><\/h2>\n<p>The Metropolitan Opera Guild, New York, NY<\/p>\n<ul>\n<li>Part I: Sopranos (September 16, 2017)<\/li>\n<li>Part II:\u00a0 Tenors (September 16, 2017)<\/li>\n<li>Part III: Mezzo-Sopranos (September 23, 2017)<\/li>\n<li>Part IV: Baritones &amp; Basses (September 23, 2017)<\/li>\n<\/ul>\n<p><strong>\u00a0<\/strong><\/p>\n<h2><strong>Opera Boot Camp: Russian, Slavic, and French Repertoire<\/strong><\/h2>\n<p>The Metropolitan Opera Guild, New York, NY<\/p>\n<ul>\n<li>Part I: Tchaikovsky and the Russian Romantic Musical Landscape (February 4, 2017)<\/li>\n<li>Part II: Czech Opera at the Turn of the Century (February 4, 2017)<\/li>\n<li>Part III: Late French Romanticism and the Belle \u00c9poque (February 11, 2017)<\/li>\n<li>Part IV: French Roots in Operas of the 20th and 21st Centuries (February 11, 2017)<\/li>\n<\/ul>\n<p><strong>\u00a0<\/strong><\/p>\n<h2><strong>Opera Boot Camp: A Guide to Listening<\/strong><\/h2>\n<p>The Metropolitan Opera Guild, New York, NY<\/p>\n<ul>\n<li>Part I: From Mozart\u2019s Classicism to Beethoven\u2019s Romantic Innovations (September 17, 2016)<\/li>\n<li>Part II: Wagner and his Musical Sound (September 17, 2016)<\/li>\n<li>Part III: A Post-Wagnerian Sound World across Europe (September 24, 2016)<\/li>\n<li>Part IV: Comparing and Contrasting Musical Styles in History\u00a0(September 24, 2016)<\/li>\n<\/ul>\n<p><strong>\u00a0<\/strong><\/p>\n<h2><strong>Opera Boot Camp: Musical Exoticism<\/strong><\/h2>\n<p>The Metropolitan Opera Guild, New York, NY<\/p>\n<ul>\n<li>Part I: What is Exoticism? (April 2nd, 2016)<\/li>\n<li>Part II: Mozart and the <em>alla turca\u00a0<\/em>style\u00a0(April 2nd, 2016)<\/li>\n<li>Part III: Bizet and the Allure of the Unknown\u00a0(April 9th, 2016)<\/li>\n<li>Part IV: Puccini and the Far East (April 9th, 2016)<\/li>\n<\/ul>\n<p><strong>\u00a0<\/strong><\/p>\n<h2><strong>Opera Boot Camp:\u00a0Italian Masterpieces<\/strong><\/h2>\n<p>The Metropolitan Opera Guild, New York, NY<\/p>\n<ul>\n<li>Part I: Rossini, Bellini, &amp; Donizetti (Sept. 26th, 2015)<\/li>\n<li>Part II: Verdi (Sept. 26th, 2015)<\/li>\n<li>Part III: Mascagni &amp; Leoncavallo (Oct. 3rd, 2015)<\/li>\n<li>Part IV: Puccini (Oct. 3rd, 2015)<\/li>\n<\/ul>\n<p><strong>\u00a0<\/strong><\/p>\n<h2><strong>Opera Boot Camp: From the Page to the Stage<\/strong><\/h2>\n<p>The Metropolitan Opera Guild, New York, NY<\/p>\n<ul>\n<li>Part I: The Realities of Opera (March 14th, 2015)<\/li>\n<li>Part II: Crossing Boundaries \u2013 All About Libretti (March 14th, 2015)<\/li>\n<li>Part III: Interpretation and Adaptation Across the Ages (March 21st, 2015)<\/li>\n<li>Part IV: Composing and Conducting (March 21st, 2015)<\/li>\n<\/ul>\n<p><strong>\u00a0<\/strong><\/p>\n<h2><strong>Opera Boot Camp: Composers of the Season<\/strong><\/h2>\n<p>The Metropolitan Opera Guild, New York, NY<\/p>\n<ul>\n<li>Part I: The Life and Legacy of W.A. Mozart (Sept. 20th, 2014)<\/li>\n<li>Part II: Italian Romantics (Sept. 20th, 2014)<\/li>\n<li>Part III: Germany vs. France (Sept. 27th, 2014)<\/li>\n<li>Part IV: A Portrait of the Modern Composer (Sept. 27th, 2014)<\/li>\n<\/ul>\n<p><strong>\u00a0<\/strong><\/p>\n<h2><strong>Opera Boot Camp Special Ops: Exploring Ornamentation<\/strong><\/h2>\n<p>The Metropolitan Opera Guild, New York, NY<\/p>\n<ul>\n<li>Introduction and Essential Vocabulary (March 1st, 2014)<\/li>\n<li>Ornamentation in the Baroque Era\u00a0(March 1st, 2014)<\/li>\n<li>Ornamentation in the Classical Era\u00a0(March 8th, 2014)<\/li>\n<li>Ornamentation in the Romantic Era\u00a0(March 8th, 2014)<\/li>\n<\/ul>\n<p><strong>\u00a0<\/strong><\/p>\n<h2><strong>Opera Boot Camp Part II \u2013 Intro to the Orchestra<\/strong><\/h2>\n<p>The Metropolitan Opera Guild, New York, NY<\/p>\n<ul>\n<li>Intro to Strings\u00a0(Sept. 21, 2013)<\/li>\n<li>Intro to Woodwinds (Sept. 21, 2013)<\/li>\n<li>Intro to Brass (Sept. 28, 2013)<\/li>\n<li>Intro to Keyboards &amp; Percussion (Sept. 28, 2013)<\/li>\n<\/ul>\n<p><strong>\u00a0<\/strong><\/p>\n<h2><strong>Opera Boot Camp: Basic Training<\/strong><\/h2>\n<p>The Metropolitan Opera Guild, New York, NY<\/p>\n<ul>\n<li>Vocal Vocabulary Lecture (Sept.2010 \/ Feb. 2011 \/ Sept. 2011 \/ Feb. 2012 \/ Sept. 2012)<\/li>\n<li>Opera Behind the Scenes Lecture (Sept.2010 \/ Feb. 2011\/ Oct. 2011 \/ Feb. 2012 \/ Sept. 2012)<\/li>\n<\/ul>\n<p><strong>\u00a0<\/strong>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_widget_sidebar sidebar_id=&#8221;otw-sidebar-1&#8243;][\/vc_column][\/vc_row]<\/p>\n ","protected":false},"excerpt":{"rendered":"<p>[vc_row iron_row_type=&#8221;in_container&#8221; iron_remove_padding_medium=&#8221;&#8221; iron_remove_padding_small=&#8221;&#8221; iron_overlay_pattern=&#8221;&#8221; iron_parallax=&#8221;&#8221; iron_bg_video=&#8221;&#8221;][vc_column][\/vc_column][\/vc_row][vc_row iron_row_type=&#8221;in_container&#8221; iron_remove_padding_medium=&#8221;&#8221; iron_remove_padding_small=&#8221;&#8221; iron_overlay_pattern=&#8221;&#8221; iron_parallax=&#8221;&#8221; iron_bg_video=&#8221;&#8221; css=&#8221;.vc_custom_1497195715349{padding-top: 40px !important;padding-right: 10px !important;}&#8221;][vc_column width=&#8221;2\/3&#8243;][vc_column_text 0=&#8221;&#8221;] Opera Boot Camp: Fairy Tales, Folklore, Magic, &amp; Enchantment The Metropolitan Opera Guild, New York, NY (Live-streamed virtual course) Part I: The Musical Language of Magic and Enchantment (February 20, 2021) Part II: Dvo\u0159\u00e1k\u2018s Rusalka (February 20, 2021) Part III:\u00a0 Strauss\u2019s Die Frau ohne Schatten (February 27, 2021) Part IV:\u00a0 Mozart\u2019s Die Zauberfl\u00f6te (February 27, 2021) \u00a0 Opera Boot Camp: [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/nbwrites.com\/index.php?rest_route=\/wp\/v2\/pages\/1029"}],"collection":[{"href":"https:\/\/nbwrites.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/nbwrites.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/nbwrites.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nbwrites.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1029"}],"version-history":[{"count":28,"href":"https:\/\/nbwrites.com\/index.php?rest_route=\/wp\/v2\/pages\/1029\/revisions"}],"predecessor-version":[{"id":1908,"href":"https:\/\/nbwrites.com\/index.php?rest_route=\/wp\/v2\/pages\/1029\/revisions\/1908"}],"wp:attachment":[{"href":"https:\/\/nbwrites.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1029"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}